The search for the perfect coat: a lesson learnt

As shoppers, we demand so many qualities in a coat, it is almost comical. The perfect coat must be warm but not heavy, easy to wear (suitable for both day and evening); it should be good quality and manufactured to last, but it cannot be too pricey nor uncomfortable; it will need to go with both trousers, skirts and dresses, and must be both casual and smart; most importantly, it has to represent our individual style while being on-trend. This much is certain, coat shopping is no easy task.

And I, like many women, celebrate the turning of the seasons with a visit to the high street to stock up on the essential items. As the leaves fall from the trees in Autumn I invest in boots, jumpers and scarves, despite having many tumbling out of my wardrobe from the year before. And the arrival of Winter means the purchase of a new coat.

This is usually planned to precision. There is research online - to identify key trends, and search out possible purchases. Next is a visit to the shops, which includes meticulous studying of each item - checking the fabric, the care instructions, the fit. This is all vital. The whole experience is particularly satisfying, as the final purchase is well thought out and justified.

This Winter the choices are endless: trench, pea coat, parka, cape; camel, shearling, military, biker. So it would be logical to presume that my tradition of being 'a fussy shopper' would sit perfectly. After all, no one wants to spend money on an item only to realise a week later they do not love it. Yet, this year I had not given the annual coat purchase much thought or time. Today, as the cold climate really began to bite, I brought a cape with no more than 10 minutes consideration. It was liberating.
A dark blue wool, with chocolate brown leather lapels and a folded down collar flashing a lining of shearling. This Winter item will sit perfectly with both jeans and a dress, and while being on-trend it looks stylish and sophisticated.

This experience could be considered enlightening. Although, it is wise to be a sensible shopper, to think through purchases (especially if they come with a high price tag), too much planning can take the umph out of fashion. It is the connection with an item on a hanger that makes it most fun, it is holding a piece up in front of a shop mirror and realising it suits you that makes it thrilling. To plan too concisely takes away from the whole experience. My advice: have fun with it.

Book Club - Never Let Me Go by Kazuo Ishiguro

I first tried to read this novel over a year ago, I picked it up, read the first page and felt underwhelmed and disappointed. I put it down and added it to my 'will read one day' list. With a Hollywood film of the novel being released this winter (and with no less than a talented star studded cast), now seemed the ideal moment to give it another go. I am so glad I did.

This time around there was no hesitant, slow beginning that I remembered (or possibly imagined) from before. Instead, there was a strong and distinct voice that gripped me from the first page. It begins somewhat hauntingly: 'My name is Kathy H. I'm thirty-one years old, and I've been a carer now for over eleven years.'

The novel follows Kathy, a 31 year old carer living in England in the late 1990s, as she looks back over her schools. What at first seems like a near-perfect childhood, full of caring guardians, fun classes and friendships, soon alters into something chilling and sinister. Words such as 'donations', 'students' and 'complete' suddenly take on new, significant but unexplained meaning.

Although a science-fiction novel in topic, there is no sign of this in the text. At the centre of the story is the enduring friendship between Kathy, Tommy and Ruth. Ishiguro refuses to discuss the finer details of cloning, making the occasional references to the process all the more terrifying.

In fact, understatement is used to great effect in the novel. The students' quiet acknowledgement of what they face in the future (they consider it to be their duty, the reader considers to be an inhumane injustice), only emphasises the reader's feelings of frustration on their behalf. The novel raises piercing questions about exploitation and humanness, more through the subtle and precise voice than through the topic itself. This stirs a range of emotions in the reader from compassion to guilt to shock.

What Kathy is unsure of, the reader is left in the dark about, and it is this excruciating curiosity that pushes the story along. Of course, the mystery and illusion keeps the reader hooked till the final word. This is one of the many strengths of the novel. Ishiguro has struck gold. There is a strong plot, careful and intelligent characterisation, and a beautifully quiet but occasionally melancholy narrative. A heart wrenching, intriguing and worthwhile read.

Book Club - Wideacre, The Favoured Child and Meridon by Philippa Gregory

It is rare that I read a trilogy or series of books, especially one directly after another. When I first read Wideacre, I was unaware it was one of three titles based on the Lacey family and their grand estate in Sussex; the novel was strong and complete in its own right. But a trilogy is was, and boy am I pleased about that.

Wideacre tells of a rich squire's daughter, Beatrice. She is passionate, intelligent and devious, and will do anything to own the Wideacre estate, which by eighteenth century law must go to her brother. This book is full of delicious scandal!

Despite, Beatrice's corruption and deceit, I somehow continued to sympathise with her - quite an achievement on Gregory's part. I loved the moments where Beatrice was shown to be tender, but her fierce and ambitious side made a thrilling read.

The Favoured Child, follows Julia Lacey and her cousin Richard as they grow up on Wideacre. My favourite of the three novels, it was fast paced, unpredictable and gripping. One of its many strengths was the sense of familiarity Gregory created by using some characters from the first novel. Another factor was the vivid writing. Narrated by Julia, the prose was warm and heart-felt. It created rich pictures of Julia as she grows from a child to a young woman. I could not help but hate Richard with a passion; there is no doubt he was spoilt, cruel and selfish, a true villain. I willed Julia on, hoping she would develop the Lacey trait of courage.

Meridon begins away from Wideacre. This concerned me at first, I was unsure Gregory would be able to continue my interest in the Laceys away from their estate. But Meridon's childhood as a gypsy with a circus added new life and excitement to the series, making it impossible for me to resist being absorbed. As beautifully descriptive, and equally frustrating as the previous two novels (at times I wanted to shout at the characters), Meridon keeps the reader in suspense until the final pages with a satisfying, but not predictable ending.

The novels are more than just light-hearted fiction, each considers serious topical issues of the time. The inequalities between men and women, the injustice of the justice system, the rules that kept the poor down and the rich wealthy and the difficulties girls face as they grow into young women.

One of my previous dislikes of Gregory's writing was her tendency to begin her novels with a slow, descriptive passage. These three novels were an exception - the opening pages were cleverly placed, symbolic to the rest of the story or straight into the action. Characterisation was strong, with no unnecessary characters or dialogue. The three Lacey women as narrators were particularly intriguing, maintaining a balance between being familiar and individual. My only fault was that Gregory occasionally repeats herself in order to emphasise the important points she wants the reader to pick up on. A little more faith in her readers' common sense would not go amiss. But this is a small complaint in light of an otherwise fantastic read. I cannot praise Gregory enough.

Eat, Prey, Love: Film Review

This film is not a typical romantic-comedy. It certainly has all the ingredients - a broken heart, some soul searching, new friendships, new romantic interests. But it is a step beyond the usual chick-flick. It is more mature and intelligent; the central theme is focused on self examination, discovery and finding a love for life. It is more a case of 'does she find happiness?' and 'does she find herself?', than 'does she get the man?'

These may sound like corny and superficial questions, and therefore you'd be forgiven for assuming the film is shallow and cheesy, but it is not. It is a sophisticated attempt to tackle issues that have plagued women for some time. And I was completely taken in.

Julia Roberts shone brightly, as always. Her portrayal of Elizabeth, a 30-something newly divorcee travelling the world, successfully combines Elizabeth's confidence in her career and writing, and her fragility and uncertainty in her sense of self.

Javier Bardem, plays Felipe, Elizabeth's new love-interest, and is surprisingly good. I, unlike most, am not a fan of Bardem. Before watching the film, I presumed he would be a poor and disappointing casting choice. Instead, he was lively, refreshing and portrayed Felipe's vulnerability and tenderness perfectly. The chemistry between himself and Roberts was realistic and heart-warming.

The film was packed with wry humour, exquisitely polished shots, strong script writing and good quality acting. The film itself was a luxury to watch. Every scene was full of colour and beauty, there was breathtaking scenery and mouthwatering food. It will not provoke an array of emotions, nor provide answers to all your own problems. But for me, it was inspirational - I am now desperate to visit Italy, and learn the language. I am also keen to become a master of Italian cooking. There is an original story here. My suggestion... wait till this comes out on dvd, then sit back with a glass of a good wine, and enjoy.

Leopard print... hits the spot

One of my most treasured possessions is a faux-fur leopard print coat from Miss Selfridge. Only purchased last year, this coat is the bearer of numerous compliments, and I cannot wait for the colder climates to breeze in, so I can adorn myself in it once more.

You see, I am a leopard-lover. Currently, my jungle wardrobe includes one silk dress from Warehouse, a floaty Topshop skirt with large pockets and zip detail, a sultry La Senza lingerie set, a somewhat faded T-shirt and a pair of ballet pumps (so old I have no idea of their origin), all in leopard print.

I would go as far as saying that I love leopard more than any other print. Floral is cute and feminine, but it lacks sex appeal. Zebra is quirky and original, but hard to find. Tribal - now this is one that truly rivals leopard, but as striking as it may be it does not carry the charm and daring attitude suggested by a leopard print.

Yet, this print seems to divide the style set quicker than a Team-Monalo vs Team-Choo debate. It is clearly because leopard print can so easily go wrong - there is a very, very fine line between tarty and tasteful. Some fear the print is just too brazen.

That is not something that concerns the felines of the celebrity jungle. Everyone from Sophie Dahl to Lily Allen to Katie Holmes are sporting the trend this winter. And love it or loathe it you will find it difficult to avoid the big cat spots this season. The catwalks for Autumn/Winter 2010 were lavished in the print, and this time is wasn't just the usual suspects taking part. Giorgio Armani made his luxurious and classic tailoring pop with a glimpse of a leopard belt or shoe. Even Dries Van Noten seemed to have a soft spot for leopard ladies, pairing his metallic, slouchy trousers with a leopard printed swing jacket. And my-wardrobe.com has a range of leopard treats including the luscious Kenley Snow Leopard scarf and Kurt Geiger's sexy platform peep toe.


The high street, of course, has also gone leopard mad. ASOS ups the game with 252 items in the exotic print, ranging from Converse Hi-tops to leggings and jumpsuits.

For the faint-hearted among us, my advice is to start small. A simple scarf, a la Sarah Jessica Parker or a cute cross the shoulder bag like Florence. If, like me you don't need to start small, and in fact can't get enough of the print, this winter is the perfect season for you. Make a statement at your Christmas party with a floor length design in the style of Rachel Bilson and Kelly Clarkson. For those who are even more daring, try an original take on the print like Olivia Palermero, who opted for a pink leopard print mini dress and a leopard waist belt.

The Lust List...

A new item has been added to my lust list for the Autumn/Winter 2010 season. These gorgeous boots from River Island tick all the boxes. Not only is the boot in the colour of the season - camel - but it is also made from a luxuriously soft suede material. Hitting just higher than the ankle, the boot is a new and original shape for this year (the perfect excuse for why us girls need yet another pair of boots!) The cute bow detail is an added bonus. I'll be wearing it with dark skinny jeans and an over-sized jumper for casual weekend wear, and then teaming it with a tailored skirt and plain vest for an evening out.

A Great Spectacle!

With the weather getting wetter and colder, and the nights getting darker earlier, this cute little jumper is the perfect buy to cheer ourselves up. The burnt orange colour will look great against pale winter skin, and the soft cashmere material is bound to keep us cosy. Plus, the cheeky and fun spectacle print makes it perfect for the office or casual sunday afternoons. £95, Whistles

Beat Monday Morning Blues...

I am completely in love with this gold plated peacock cuff from Nicole Richie's label House of Harlow 1960. Admittedly, retailing at £157, this intricate and original piece is way and beyond my budget. But one can dream...

Venice Film Festival 2010: Best Dressed

This year's Venice Film Festival has seen a real mix of daring or relaxed looks contrasted against the usual, old school glamour and sophistication of the red carpet gowns. Here's my pick of the best of both.

There is no doubt that this is the dress of the festival. Jessica Alba looked picture perfect in this romantic ruffled Valentino Haute couture mini. Jessica kept accessories to a minimum, and only wore dove grey suede heels, a silver clutch and diamond earrings. Red berry lips completed this elegant look.


Natalie Portman set the fashion bar high wearing this draped, crimson Rodarte gown at the premiere for her new film. This intricate dress, embellished with Swarovski crystals, is red carpet glamour at its best. Natalie finished off her classic look with a quilted Dior clutch and beautiful, strappy heels.


I don't know which to mention first! - The chunky biker style heels, or the just-below-the-knee floral frock. Both are too perfect for words. Jessica Alba, mixes in a bit of grunge with this floaty Dolce & Gabbana dress. Her sleek locks complete this edgy, rock-glam look.


It's a daring decision to opt for a mini on the red carpet, especially one with a train. Yet, Jessica Alba looked completely at ease in this duel length, black Valentino dress. Paired with tied up cage heels and a cute topknot, Jessica stole the show at the Machete premiere.


Another brave choice was made by Italian starlet, Jasmine Trinca. The actress arrived at the premiere of new flick, Black Swan wearing a casual Parisian style maxi. The stripes were polished up with a black wallet clutch, a navy waist belt and sparkling necklace and earrings. The outcome... super-groomed and understated. Extra style points deserved!


Isabella Rogonese caused a stir in her floor-skimming, Alberta Ferretti gown. This fairytale-esque dress sighed of old-school romance and glamour, but the monochrome colour scheme kept it fresh and modern. The ruffling is undeniably stunning!

The Emmy's 2010 - Best dressed

There were many a gorgeous and well dressed star at this year's Emmy Awards. But here's my pick of the very best dressed both on the red carpet and at the most glamorous after-show parties.

Mad Men star January Jones stunned in this shimmering sea blue satin gown. Teamed with black classic platforms, this Atelier Versace dress with fitted corset and train was the perfect amount of glamour, originality and sophistication for the event. Truly beautiful.

In a one-shouldered, floaty, lavender Christian Dior dress Emily Blunt ensured that all eyes were on her at this year's awards. This unusual colour choice showed off Emily's pale skin tone perfectly. And the cream sequined embellishment keeps the dress looking modern.

This floor-skimming, navy Oscar de la Renta gown had Glee's Lea Michele catching everyone's eye. The strapless, ruffled gown was full on extravagance and showed off Lea's figure to its best.

In a simple cut floor length gown, Troy actress Rose Bryn opted for classic style. Updated with a gold belt and straps, and a flash of flesh, this white Gucci dress stole the day.

Vampire Diaries actress Nina Dobrev was on trend in this beautiful nude, one shouldered lace gown. Accessorized with elegant drop earrings and a sophisticated up do, this Zuhair Murad creation screams effortless cool.

Anna Paquin opted for an original choice, when she wore this black and gold Alexander McQueen number. The accentuated shoulders and deep neckline added extra detail to the heavy embellishment. Teamed with gold bangles and killer black patent courts, Anna brought a youthful and creative spin to the event.